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King of Corsica

by LJA Brown

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1.
Summer Sunday is nobody’s scene, all tied up with the work of the week wandering out and coming back in, tricky steeples and scrapes to the skin All God’s Hollow is left at the door when everyone knows what that's for. Monday wakes you up in a fizz, the lager cans you thought you had hid dribble of spit that washes the face, stains on the trousers are starting to fade And if she ever wanted to stay, well why didn’t she say? We are the ones that let ourselves down, the calling it in, the beat of the brow, the whistle is blown so we go back home. The trick is not to think anyway The trick is not in the game.
2.
Oh, Regina you spread your love about To the mobile phone thieves and the ticket touts But who needs the aggro when you’ve got the nous No need to bother when you’re in love with yourself Parsimonious prats abound Telling you all that they’ve found And they only did it for your own sake What Noah told you not to do With the hammer and horse glue Is exactly what you’ve set your sights on Municipal indifference is a target for you to see So to the bus route that clogs our arteries Motorway services and the piss weak cup of tea A night of horror with the ITV A corner shop cannot be found That doesn’t hide the mealy-mouthed Or a boutique that doesn’t mask our faces A city break or the country air Park and ride this paltry fare Two for one on this open planned nightmare Oh, can you see that this is not for me? All that will be is what we’ll be Let’s find a corner of this septic isle That knows no Shire on which to hang itself The barbarism of London, the ignorance of the North Will have no purchase if we get high enough Ah, but that is but a dream like the seaside used to be Like the church hall and its promise of a bargain The ring road out to the village green The battery farms and fields of wheat Are all burning down in our distemper. So, now can you see how this is not for me How dear old Blighty has really gone to seed.
3.
Glad go their hearts and the start of the coming day Mother of pearl is the colour of nothing said But colours are blunt just like the man of madder wild Call it all out when they call in the calazone Not so big now when you’re eating it all alone So raise up a glass, raise up the man of madder wild He thinks that you’re drunk so he deigns to ask you out Corn marigold and Martello tower May fly is how we like to live the hour The future came and went, past tense and sad about Marble white arms never asked for a sentiment But lo! and behold here comes the man of madder wild He wants you again, dressed for the carnival Rose of Sharon garlands the gown Party is started so let’s get it on Moon size the smile that welcomes us now All is not over so just be said and done I was you but you were nothing within that All day long and never ever to be In and out of everybody’s pockets But nothing is when it is asked of you
4.
If you want to make it with the coat check girl You know you’ll have to wait behind the gothic world And what they say is all about the same Did you get the childhood with the soda stream, Saturday afternoons with the Boy’s Brigade The Chinese burn was all you learned from them And what gets burned is often not the same They’re rolling out the hand-me-downs Singing songs, the disco ones It all looks good, it all looks true And if you could go there and stay there you would Dancing in an A-line with the Thursday girl, She’d like to be your boyfriend if you noticed her And what she says is all about the same Hanging on the staircase with the broken boy, You kiss him on the mouth until it really hurts And what gets shown is thrown upon the floor The dancing clowns and bouncers at the door So if you have to make it with the coat check girl You know you’ll have to wait behind the modern world And what that means is much about the same Picking up the pieces from the Thursday girls Is nothing now you see it from another world And what we lost was danced upon our graves And what felt good feels better than today And all in all is all we gave away You can hold it up to the light And you might think it erudite Or you can hope to hold the rain Or even change your name To something strange.
5.
Broken arm and shoulder dancing off the coma Hitting all the bars for scars and stars If all there is to hold on was something that you hit on Split the bitch in two and screw the loose When it’s needed to Coming out in spots now blood clots on the tea towel Holding up the sign to passers-by Don’t they know you’re famous, acting like you’re crazy, Afternoon death tennis was never fun So what about the holes in all of the arms That let you down Pull up the floorboard and disappear inside All this goes without saying that our hearts have grown lazy In a manner more daunting than the things we have mourned for Gone in a day, with nothing to say and nothing to do Go and play in the town and dance around If you must go, go now without a sound Leaving the leaves to blow in a restless mood.
6.
I know just how to fit in With the people who know where they’ve been They seem to always have something to say Always knowing to play as it lays. They lived where I failed to get in Seeing all that there is to be seen Heaving up on the heavens above Sally ho, these soldiers of love! But they’re gone, so gone So go it alone. The party gets off with a swing The girlfriends are gathering in The husbands who talk of themselves To the wives they left on the shelf What a lark! What sport to partake in? If they were bad without being that If you were mad I would not know it I see in the end of everything Everything else. The shout from the bathroom is heard She washes the blood from her hands With the move to the right of his chin She see’s the mess that she’s in All over for what must begin And she’s, but so gone So she goes there alone You confuse my boredom for autism Must we diagnose so cursorily The unsaid word is a mortuary So I go out without going out I sing along too desperately I fall about to the twist and shout Gets me down Gets me out Out of the way.
7.
Four Days 04:53
They want to know what it’s like, they want it to be tonight of all the things that they knew, well how could this be? I didn’t choose to be here or decide when to leave Four days with the light in the way could I go and would I ever know or say ... He will get me my coat or a punch in the throat if a scream could be news, well how would that read? of all the sentences used he chose the one I could do Four days with the light in the way is it now or is it nevermore for four days like someone once said She’s sold on the hold-all puts her make-up in there and goes in the yard where the people are cared for by bodyguards and if the tape was not clear you should have said I got out in the morning all alone and no, they didn’t know what it’s like Held in the snow tortured and cold never to be free Hee-hee-hee-hee-hee-hee hee-hee-hee-hee-hee-hee hee-hee-hee-hee-hee-hee
8.
Oh, Lord Christo and the fire down below, through my green door into this house of sound Is it the sea? Or is it you and me? Far from town, over and out. Dig out their graves just don’t dig them when they’re young, All of their songs are hung up on the wall. And they you want to, They can pull them down, down the shore and into the night. So it was true the beauty in the blues Harboured in you a clue for how to choose. Beer in the bath and gin in the gym, what will become, oh what will be of him? And if he wants to stay out all night and if he wants to lead a double life. Over again and in the space between hot ham for dins and eating everything in sight, even our hands, hands that touch the beast in us. Head up his arse and a feeling that it’s wrong all over now, now he’s singing in my song. Over again and from the weather vane it blows a steady wind to close the door. And if they want to they can work it out work the corners and into the light.
9.
Endsong 03:16
Wrote a pretty tune, sung it out of key because I know all that will be is not for me childish too soon, (a) piecemeal rendez-vous over the wall into the arms of nothing at all falling down we ask of ourselves where it was to no better end or in the shadow of nowhere to go I do not have a ticket out of here but if I did would you be the passenger to pass out of here and pass on the hurt A legion of anyone’s fear cannot contain the freedom we feel when over the wall for nothing at all.
10.
Eva's Easter 02:13
If you want to go there but you don’t know the line-up they’ve got for that day and if you want to see them but you know it’s a hard line that they’ve got to take the world of work agrees, that you’ll never leave so, slip into the spaces that make up the traces of what you have left the toilets at the station and the coffee you paid for are drifting away what is left to see, in this mise en scene? jump the train instead, a strange sensation in your head. all day long it seems, as if you’re in dreams, too obscene kicked around a bit, until you are sick of all there shit go and pound the ground, have yourself a merry-go-round. so if you have to go there but you know it’s a hard time that you have to break.

about

A Mouth of Gold release.

"King of Corsica is the second album by LJA Brown. Stylistically, a move away from the folk leanings of his first album, LJA Brown’s sophomore offering boasts a much wider range of instrumentation (tack piano, hammond organ, brass and even the odd squelchy synth line) and also a change of influences, note the Congolese Soukous guitar patterns and rhythms that dominate such tracks as the lead single Man of Madder Wild, and the more wistful Happy Just to Be Here.

In fact, the use of such foot-tapping grooves points towards an album much more uplifting and accessible than heretofore known by the artist. Despite the ballad number, Endsong, and the lounge jazz of Furs for Louise, the rest of King of Corsica plays out like a party album barely able to contain itself. Opener, Summer Sunday fizzles with the kind of VU manic-drone that Stereolab so effortlessly conjured in such songs as Ping-Pong or French Disco, whilst the state-of-the-nation lament Albion Albatross, shimmies with a soft, funk vibe and a bonkers wah-wah riff not entirely unlike Steely Dan’s Kid Charlemagne.

Elsewhere, Coat Check Girl calls in some boogie-woogie favours and a catchy chorus, the inexplicably titled Parvenu Postscript is awash with Paperback Writer style harmonies and the aforementioned squelchy synth, and to end the album, no desperate swan song or last gasp of the poete maudit, but instead the much chipper, friendlier Eva’s Easter driven restlessly along by the insistent tambourine you used to hear on so many Motown records.

Overall, King of Corsica is a much more upbeat, lively affair than its predecessor though as always with the lyrics of LJA Brown, you are reminded that the weasel under the cocktail cabinet is never so very, far away. This is best displayed on Four Days, an elliptical re-telling of murder and abduction set to a spectral soundtrack of layered guitars and far away piano.

At once resolute and care free, King of Corsica is an album of many hidden gems and treasures. A soundtrack to the summer, or a Friday night evening starter, there’s something on here for all the family; Mum, Dad, the children, even the weird uncle that never married and no one invites anymore after that funny incident two Christmas' ago".

Giles Chandler - The Post Office Review.

credits

released October 18, 2019

LJA Brown - vocals, guitars
Ciaran McNamee - drums, percussion, vocals
Alasdair Steer - bass
Owen McDuff - keyboards, piano
Alex Thomas - cornet

All songs written by LJA Brown

Mixed by Owen McDuff
Mastered by Peter Axelsson Sorvag

The cover of King of Corsica is a detail from the Pelican edition of The Presentation of Self in Everyday Life by Erving Goffman.

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LJA Brown London, UK

LJA Brown is a singer/songwriter based in East London.

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